It moves; it cries; it lives

Clay animation has come an awfully long way since 1908’s intriguingly titled ‘The Sculptor’s Welsh Rarebit Dream’ (produced by the manufacturing company of one Thomas Edison – was there anything that chap didn’t invent?). Last week I saw Adam Elliot’s Mary and Max, and discovered something entirely new. Comedy comes naturally to clay, obviously. It … Continue reading It moves; it cries; it lives