Hello, you lovely things! You may be out for dinner at a restaurant or clinking glasses together at a swanky bar, but we all know where the REAL action is: here on my sofa, still wearing workout gear from my appalling jog/walk earlier, sporting a fringe that looks like a small, dying patch of forehead bracken, talking about our WEEK IN STUFF.
Half-term week! We spent the first bit of it in the New Forest having a beautiful time (see above), then took the train to Reading Museum, still conquering everything with its collecting policy of ‘strange bits and bobs’, then spent the latter part of the week with grandparents and cousins.
Today I took the boys to see Zootropolis, which you absolutely must see as soon as possible. It is clever, funny, sharp, poignant; features Idris Elba as a giant, brusque water buffalo (exactly the creature you suspect would be Idris Elba’s patronus, in a different life); and has a scrappy, feminist bunny cop as the main character. Imagine a young Peggy Carter, at the beginning of her career and confidence, with fuzzy ears. Jason Bateman also plays a criminal fox sidekick, and if you thought you only had room in your heartlands for ONE weirdly but unstoppably attractive animated fox, well, think again.
Imagine if this guy and Robin Hood were in the SAME FILM. *dead*
The excellence of this film just about made up for the fact that the boys had to emergency-wee SEVEN TIMES between the two of them, and that during one of these expulsions, I dropped a public toilet seat down too fast and splattered my face with my son’s waste. Let’s pretend that it was just my son’s urine, and not that of several mingled Basingstoke strangers. Let’s also pretend that some of it didn’t go in my mouth. Hashtag motherhood, you guys.
Our rap name: the Pee-Eyed Peas.
Tim got to choose the film a couple of nights ago, and chose a classic Roger Moore Bond, A View to a Kill. Look. Maybe I just don’t GET Bond when it’s not Daniel Craig being craggy and beautiful. But watching Roger Moore flick random women into his bed every ten minutes, with only an eyebrow and an assumption that it was his due, made me want to flick him into a moving aeroplane propeller. Also Grace Jones wears an eyewatering leotard (google it). I hope they paid her extra for it.
Did you watch the BBC version of Midsummer Night’s Dream on Bank Holiday Monday? (It’s here on iPlayer if you missed it.) I love Maxine Peake with the fire of a thousand suns, but I…didn’t like this very much. The sort-of unwritten rule with Shakespeare is that you get to change the setting and time and costumes and anything else you like, really – except the WORDS AND PLOT. Russell T. Davies has been TARDISing too long. (Didn’t Matt Lucas make an unexpectedly wonderful Bottom, though?)
I was totally delighted to find a Kate Atkinson book, When Will There Be Good News?, at the library last week, and got through it in a day. Whenever I do this I feel like writing a new serenity prayer: Grant me the strength to stop reading excellent books in one go after midnight, the courage to stop reading terrible books before that, and the wisdom to know the difference. Anyway, I was thrilled to find that one of my all-time favourite authors took a detour into crime fiction, and it was just, oh, completely worth staying up till 1am for. I wanted to give it a standing ovation, but I knew Ted would be waking up in five hours and didn’t want to push my luck.
Speaking of books: did you go through a phase in your early teens where all you read was dystopian fiction set after nuclear disasters, where the main characters ate the limbs of their siblings and such? I did, and still remember the covers – all grey landscapes and orange hazmat suits – with a kind of chilly horror. BBC Radio are having a dystopian fiction moment at the minute, and have serialised Brave New World and Never Let Me Go. I’m listening to the latter while houseworking this week, and it’s great. 10/10, would dystope again.
I looked these up specifically for this post and NOW I WANT TO CRY. I’m pretty sure he eats that kid he’s holding.
On in our Sesame Street car this week: the CD letter is T, so The Beatles, The Feeling, The Killers, The Postal Service. The number is 72, i.e. the number of times the boys yelled Yellow Submarine all around Tesco *face palm*.
Our real soundtrack is constant, unstoppable chatter, of course.
T: I wanna tell you a story.
Me: Ok, great.
T: Once there was a little boy called Mummy…
Me: I might need to stop you there.
H: This car is made in China, right?
H: Then why does it have shiny wheels?
Me: What do you mean, why? Toy factories in China can make anything.
H: No, but China just has horses and carriages and things.
Me: *wondering if this is going somewhere problematic* What? No, it doesn’t.
H: That’s all they’ve got in Mulan.
Now try explaining the sixth century and contemporary Chinese politics to a four-year-old. You have thirty seconds before the next toilet trip. Good luck.